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Artist: Kirk Whalum
Album: In this Life
Quality: eac-flac, cue, log
Size: 331 MB (full artwork)
Label: Sony/Columbia
Runtime: 59:30

Artist: Chuck and Gap Mangione Quintet (The Jazz Brothers)
Album: Spring Fever
Quality: lossless (eac-flac, cue, log)
Size: 321 MB (full scans)
Label: OJC (Remastered, 1992)
Runtime: 40:44

Artist: Sadao Watanabe
Album: Sadao 2000
Quality: lossless (eac-flac, cue, log)
Size: 273 MB (full scans)
Label: Verve
Runtime: 46:54

Artist: John Coltrane
Album: Transition
Quality: lossless (eac-flac, cue, log)
Size: 386 MB (inc. full covers)
Label: Impulse! (Remastered, 1993)
Runtime: 52:17

Artist: Kenny Garrett
Album: African Exchange Student
Quality: lossless (eac-flac, cue, log. artw.)
Size: 422.64 MB
Label: Atlantic
Runtime: 66:47

Artist: Mark Isham
Album: Blue Sun
Quality: flac files, artwork
Size: 353 MB
Label: Sony/Columbia
Runtime: 60:55

Artist: Ornette Coleman
Album: Tomorrow Is the Question
Quality: lossless (eac-flac, cue, log, artwork)
Label: OJC (1988)
Runtime: 42:45

Mp3 : 320 kbps

Artist:  Dusko Goykovich
Album: Summit Octet
Release Date: 2009
Quality: mp3 CBR 320
Size: 120 MB

Мой любимый джазовый трубач – проживающий в Мюнхене серб Душко Гойкович. Универсальный музыкант, прошедший путь от участника биг-бэндов до сольного артиста, подбирающего собственный аккомпанирующий коллектив. Явная тяга к босса новее и невозможно лирическим балладам в сочетании с умением играть, в случае необходимости, крайне резко – я не могу объяснить, чем он мне так близок, это, наверное, как раз на уровне невыразимого.

Artist: Freddie Hubbard
Album: Fisrt Light
Quality: flac, cue, log, full artwork
Size: 214 MB
Label: CBS (Digitally remastered, 1987)
Runtime: 43:07

Sonny Rollins first recorded for Prestige as a teenaged sideman on a 1949 J.J. Johnson session. Seven and a half years later he made his eighteenth and final session for the label. In the intervening period, the promising but uncertain young tenor player from Harlem had matured into a full-toned and powerful artist who was already beginning to be recognized as one of the truly great improvisers in the entire history of jazz.

These seven very full compact discs - offering a total of 90 selections and totaling almost 490 minutes of music - show the rapidly developing young saxophonist as a sideman with his close friends Miles Davis and Thelonious Monk, as well as with J.J. Johnson and Art Farmer, and as a leader on ten sessions that feature such jazz immortals as Monk, Max Roach, the legendary Clifford Brown, Kenny Dorham, Tommy Flanagan, Art Blakey, Horace Silver, John Lewis, Milt Jackson, and many others. The many highlights of this collection include the only recorded encounter between Rollins and John Coltrane, and the pivotal Saxophone Colossus album.

This 10-CD set collects all of Parker’s recordings for Norman Granz’s various labels, beginning with an isolated Jazz at the Philharmonic appearance in 1946. Parker recorded exclusively for Granz beginning in late 1948, and the relationship continued to his final studio session in 1954. While the most brilliant flowers of Parker’s creativity bloomed before that contract began, this set documents in meticulous detail Bird’s longest relationship with a single record company and a period in which he was the most influential musician in jazz. While labels such as Savoy and Dial had been limited to recording Parker in the small groups he worked with regularly, Granz’s greater resources allowed Parker to undertake the more expansive projects he sought, such as the famous recordings with strings, heard here in their entirety. Granz also recorded Parker with many of the giants of the Swing Era who made up his roster, and there are performances with many of Parker’s original influences, such as Johnny Hodges, Lester Young, and trumpeter Roy Eldridge.
Some of Granz’s inspirations were less appropriate, like burdening Parker and Dizzy Gillespie with the flamboyant Buddy Rich, but Parker even manages to sound fluent and amused on a confused arrangement of “In the Still of the Night” with reed parts by Gil Evans and voices arranged by Dave Lambert. He’s more often heard in congenial small group settings that include Miles Davis, Hank Jones, and Max Roach, and there are plenty of moments when Parker is a match for even his own earlier recordings. The wealth of alternate takes and false starts provides an intimate and detailed portrait of Bird in the studio, and there’s a brilliance to Parker’s improvisations that makes every track of interest.—Stuart Broomer