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Hola compañeras [by raul puesme] - waiting for moderation

“Nuages” - Documentary 1991

Documentary showing the gypsy lifestyle and his musicians, shows life on their customs, their music, their musicians and more. Highly recommended, the documentary is based on the music gypsy jazz manouche.

Size: 220 MB

Total Time: 52 min.

Label: Arcanal - Krystal prod. - France 1991

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Artist: VA
Title Of Album: One Night With Blue Note
Year Of Release: 1985
Label: Blue Note
Genre: Jazz
Format: AVI
Quality: Video 576x432, Audio 1736 kbps I 48.1 Khz I 16bit Stereo
Total Time: 02:00:12
Total Size: 1,54Gb (5% rec.)

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Marc Fosset Feat Jean- Luc Parodi Trio Live Au Jazzland (2001)

 

 

Label: Altrisuoni
Genre Swing Jazz
Recorded at: jazzland, Neuchâtel (CH),0 3.02.1979
Years 2011
Durée totale: 1:11:19
Format Mp3 320 Kbps
Size 144Mo

 

February 3rd, 1979: the Jazzland is sold out. ItпїЅs a Saturday evening and itпїЅs the final night for Marc FossetпїЅs Trio. The band had already played several times in Neuchâtel, for the great pleasure of the audiences who are enticed by the warm complicity that unites the renowned Parisian left-handed guitar virtuoso, the Swiss-adopted Hammond player Jean-Luc Parodi, and the local drummer Denis Progin, owner of the Jazzland club. The repertoire mainly consists of standards that are familiar to the audience, who nonetheless are anxious to hear the arranged versions the Trio will produce of tunes such as Body and Sould, Oleo, On Green Dolphin Street, or even the bossanovas by Jobim like Corcovado and Desafinado.
The electric guitar, with its strong and mellow sound, elegantly and respectfully phrased in the Bebop tradition, often accompanied by MarcпїЅs voice, connects admirably to Jean-LucпїЅs Hammond who fills beautifully the bass lines with his left hand on the keyboard. The rhythm is provided by DenisпїЅ energy and relentless tempo; he masters the ternary on the cymbals and rolls elegantly on the bass and snare drums.
The recording was made with a Stellavox tape recorder placed on the edge of a table, to which three dynamic range mics were connected. These somewhat precarious conditions were quite common for an ethnomusicologist like me who was exploring and researching music in its typical exotic environment. The authentic sound of the Jazzland is thus brought to todayпїЅs listener unscathed. One can hear the audience with its exclamations, and the comments of the band members, in a typical jazz club setting.
This CD is therefore a historical document that testifies the lively jazz scene of Neuchâtel at the end of the пїЅ70s, and it also pays homage to the late Denis Progin and Jean-Luc Parodi who passed away in 1997 and 1999, respectively.
- François Borel (transl.: D. Loringett)

En ce 3 février 1979, le Jazzland affiche complet: cпїЅest un samedi soir et la dernière soirée du trio de Marc Fosset. Si le groupe sпїЅest déjà produit à plusieurs reprises à Neuchâtel, cпїЅest quпїЅil plaît au public du lieu, séduit par la chaleureuse complicité qui unit le célèbre guitariste parisien, gaucher virtuose, lпїЅorganiste Jean-Luc Parodi, Suisse dпїЅadoption, et le batteur neuchâtelois Denis Progin, patron du Jazzland. Le répertoire de la soirée est fait de пїЅ standards пїЅ familiers aux amateurs de jazz venus confronter aux versions offertes par le trio leurs propres expériences de Body and Soul, Oleo, On green Dolphin Street ou de bossas novas jobimiennes comme Corcovado et Desafinado.
la guitare électrique, au son puissant et пїЅ rond пїЅ, au phrasé élégant de tradition bebop, souvent accompagné de la voix de Marc, se marie admirablement à lпїЅorgue Hammond de Jean-Luc, qui assure aussi lпїЅaccompagnement de basse à la main gauche, dans un jeu tout en nuances, parfois planant, parfois déchaîné ou canaille. Le soutien rythmique est garanti par un Denis énergique, au tempo implacable, maîtrisant parfaitement le ternaire à la cymbale, les roulements et les breaks sur sa caisse claire et sa grosse caisse.
LпїЅenregistrement a été réalisé à lпїЅaide dпїЅun magnétophone autonome Stellavox posé sur un coin de table et de trois micros dynamiques, dans les conditions précaires auxquelles est habituellement confronté un ethnomusicologue lorsquпїЅil mène une enquête sur la musique de son terrain exotique. LпїЅambiance authentique du Jazzland est ainsi restituée sans artifices (sinon à la fin de la dernière plage), avec les interventions du public, les exclamations et commentaires des musiciens, sur un fond sonore typique de boîte de jazz.
Il sпїЅagit donc à la fois dпїЅun document historique témoignant de la vie jazzistique féconde à Neuchâtel à la fin des années 70 et dпїЅun hommage à Denis Progin et Jean-Luc Parodi, décédés respectivement en 1997 et 1999.
- François Borel

Am 3. Februar 1979 Jazzland hängt die Tafel пїЅausgebuchtпїЅ aus: es ist Samstagabend und die letzte Soiree vom Marc Fosset Trio. Die Musiker sind mehrmals in Neuenburg aufgetreten und beim örtlichen Publikum gutgeheisst worden, insbesondere durch die herzliche Mittäterschaft zwischen dem berühmten linkshändigen Pariser Gitarrist, dem Adoptivschweizer Organist Jean-Luc Parodi und dem neuenburgerischen Schlagzeuger Denis Progin, Besitzer vom Jazzland. Das Abend Repertoire entsteht aus berühmten Jazz Standards, geläufig zu den meistens Jazz Liebhabern die an diesem Abend ihre Erfahrungen mit denen vom Trio vorgeschlagen wie пїЅBody and SoulпїЅ, пїЅOleoпїЅ, пїЅOn green Dolphin StreetпїЅ oder Jobim Bossanovas wie пїЅCorcovadoпїЅ und пїЅDesafinadoпїЅ vergleichen möchten.
Die elektrische Guitar, mit einem kraftvollen und gleichzeitig harmonischen Klang, in einer eleganten traditionellen Bebopstruktur gekleidet, häufig von Marc Stimme begleitet, paart sich ausgezeichnet mit der Hammond Orgel von Jean-Luc, der mit der linken Hand die Bass Begleitung sichert, sehr empfindlich, manchmal flach manchmal wild. Die rhythmische Begleitung wird energisch vom Denis gesichert, meisterhaft spielend zwischen Zymbals, Breaks und grosse Trommel.
Die Aufnahme erfolgte mit einem Magnetophonband Stellavox, einfach auf einem Tisch positioniert, mit drei dynamischen Mikrophonen, in sehr prekären und unstabilen Konditionen, welche normalerweise die Ethnomusikologen bei der Untersuchung einer Musik auf einem exotischem Feld konfrontiert werden. Somit wird die echte Räumlichkeit des Jazzland wiedergegeben, пїЅliveпїЅ ohne Retuschen, mit dem Publikum Untergrund Flüstern und die Kommentare und Ausrufe der Musiker, in einem typischen Jazzkeller-Sound.
Es handelt sich hier um ein historisches Dokument, das die Jazz Geschichte vom Neuenburg gegen Ende der siebziger Jahren darstellt und gleichzeitig ein Hommage an Denis Progin und Jean-Luc Parodi, gestorben bzw. im Jahr 1997 und 1999, verkörpert.

- François Borel (trad.: F. Kestenholz)

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Romane & Daniel John Martin - Live Quecumbar November 28th 2011

Format: AVI

Size: 428 MB

Time: 52 min.

Date: November 28th 2011

Place: London, Live Quecumbar

Musicians:

Romane (guitar)

Daniel John Martin (violin)

Ducato Piotrowski

Andy Crowdy

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Daniel John Martin invite Angelo Debarre Aux Petits Joueurs (2011)

DJM invite Angelo Debarre Aux Petits Joueurs (2011)

Daniel John Martin invite Angelo Debarre Aux Petits Joueurs (2011)
No Label
Genre gypsy Swing Jazz Manouche
Years 20 04 2011
Format Mp3 320 Kbps
Size 199 MB

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Reinier Voet & Pigalle 44-Live At Festival In June (2009)

No Label
Genre Gypsy Swing Jazz Manouche
Years 2011
Format Mp3 320 Kbps
Size 117 MB

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Various Artists- Live Django Festival Gypsy Swing At Birdland (2002)

Genre: Jazz Gypsy
Label: Kind Of Blue
Number of Compositions: 12
Total Time: 59:51
Year: 2002
Format, birate: MP3 320 Kb/s CBR
File Size: 94 Mb + covers

Enregistré en live à Birdland, (NY) en 2002, à l’exception du morceau bonus de Babik Reinhardt en 2000. Le festival Django Reinhardt a été créé en 2000 et c’est, depuis lors, un évènement annuel, démontrant combien le style musical de Django fut (et est) spécial aussi bien que le brillant talent des artistes qui s’y vouent. Le génie artistique et la virtuosité de ces musiciens les rangent parmi les meilleurs du monde.L’apport aux grands du jazz américain de musiciens européens donne une nouvelle et excitante dimension. L’année où ce CD fut enregistré est l’une des meilleures par la participation de musiciens exceptionnels. Cet enregistrement redonne la magie et l’électricité de cette combinaison.

The Django Reinhardt Festival has been a terrific series at Birdland for fans of gypsy swing as heard in this compilation of live sets. Two strong performers, either Angelo Debarre or Dorado Schmitt, play lead guitar, backed by a potent, alternating cast of supporting musicians including clarinetist Ken Peplowski, bassists Jay Leonhart or Jon Burr (the latter an alum of Stéphane Grappelli’s band), Grady Tate (on brushes) and accordion player Ludovic Beier , among others. The performances keep the music fresh rather than simply rendering them as museum-piece re-creations. They explore standards from the 1930s and both Django Reinhardt’s timeless compositions and lesser-known works with equal enthusiasm to appreciative crowds, who manage to somehow restrain themselves rather than drown out the ends of solos with loud reactions. Schmitt offers a flashy interpretation of “Nuages” and proves to be just as accomplished on violin in a romp through “Stompin’ at Decca,” while Debarre’s lively picking in the delightful treatment of “I Can’t Give You Anything but Love” is just as enticing. The final track features electric guitarist Babik Reinhardt (Django’s son) playing a more modern-sounding original with electric violinist Florin Niculescu, pianist Pete Malinverni, bassist Jon Burr, and drummer Leroy Williams, so the flavor of this track is more traditional swing versus gypsy swing. The only shortcoming of the CD is tenor saxophonist James Carter, who appears on several songs and has a tendency to showboat too much at times by alternating between a big sound akin to Coleman Hawkins and needless squealing. Yet even Carter’s occasional detours into dissonance don’t provide that much of a distraction from these swinging live sessions. ~ Ken Dryden

This 12 track CD contains music recorded at Birdland, New York in 2000 and 2002. It features Dorado Schmitt, Angelo Debarre, James Carter, Babik Reinhardt, Samson Schmitt and Serge Camps. Performances include “What Is This Thing Called Love?,” “New York

Personnel: Dorado Schmitt (guitar, violin); Angelo Debarre (guitar); Babik Reinhardt (electric guitar); Ludovic Beier (accordion); Ken Peplowski (clarinet); Pete Malinverni (piano); Leroy Williams (drums); Grady Tate (percussion).

Recording information: Birdland, NY (2000-2002).

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Parisien Gipsy Jazz -Demo (2011)

No Label
Genre Gypsy Swing Jazz Manouche
Years 2011
Format Mp3 320 Kbps
Size 78 MB

Tracklist -Demo

With Watti Rosenberg performing at a Django Reinhardt festival in Holland

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Diknu Schneeberger Trio-Live (2007-2009)

no Label  
Genre Gypsy Swing Jazz Manouche
Years (2007-2009)
Format Mp3 320 Kbps
Size 167 MB

Diknu Schneeberger Trio- Live in Bolzano at Schloss Runkelstein (2009)

Diknu Schneeberger-Live @ Fest Leverkusener Jazztagen (2007)

Diknu Schneeberger-Live @ im Gasthaus zum lustigen Radfahrer am (2009)

Diknu Schneeberger Trio-Live @ Jazzland (2008)

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BIEL BALLESTER & STOCHELO ROSENBERG - SANT FELIU DE GUIXOLS 14-8-2005 [DVDRIP]

 

Format: AVI

Source: DVDRIP

Size: 699 MB

Time: 1 hs. 06 min.

Year: 14 - 8 - 2005

 

Biel Ballester - guitar

Stochelo Rosenberg - guitar

Leandro Hipaucha - Contra bass

Pedro Graci - Guitar

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Csaba DESEO пїЅ Feat. Andor Kovacs & John Lewis -The Swinging Violin (1993)

Label Jazzette Hungaroton Record
Genre gypsy swing jazz Manouche
Recorded Years 1968 1976 1983 1993
Live performance in BP Club Zagreb
Format mp3 320 Kbps
Size 97.5 Mo 54.7 Mo

Liner note Toots Thielmans
Violinist Csaba Deseo (1939) studied at Béla Bartók Conservatory in Budapest, got his diploma in 1961. His jazz-career started in the middle of the 1960s, beside concerts in Hungary he soon appeared at international jazz festivals in Prague, Warsaw, Berlin, Zagreb, Bled and Ljubljana. His first LP entitled пїЅFour String TschabaпїЅ was recorded 1974 in West Germany by MPS-BASF with German, Swedish and English musicians.
Deseo played in different formations with top Hungarian performers - Gabor Szabo, Aladar Pege, Tony Lakatos, Laszlo Gardony, Tommy Vig etc. - and also played with Jean-Luc Ponty, John Lewis, Martin Drew, Dusko Goykovic, Bosko Petrovic and many others. Between 1967-1999 he was also member of the Hungarian State Philharmonic Orchestra, with them he toured the world from Japan to the US and of course whole Europe. In the last years he is playing with the best musicians of the young generation from the Budapest jazz-scene. On the cover of his CD пїЅTaleпїЅ he wrote: пїЅWe have recorded songs near to our hearts in the hope that they will reach all those, who in our world gone mad, still love melody, harmony and SWING.пїЅ

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Selmer #607-Live . New Morning (2009)

Label Indie
Genre Gypsy Swing Jazz Manouche
Recorded on Jan 21st, 2009
Years 2009
Format Mp3 192 Kbps
Size 111 MB

Django Reinhardt jouait sur la guitare Selmer nпїЅ 503, les virtuoses de la nouvelle génération du jazz manouche jouent à tour de rôle sur la mythique guitare Selmer nпїЅ 607. Ils ont moins de trente ans - à peine vingt pour certains - mais ont déjà ce sens du jeu, de la phrase, une musicalité quпїЅon ne prête dпїЅhabitude quпїЅà leurs aînés.
Solistes : Noé Reinhardt, Sébastien Giniaux, Adrien Moignard, Richard Manetti, Benoît Convert Rythmique : Ghali Hadefi & David Gastine aux guitares et Jérémie Arranger à la contrebasse.

On January 24th, 2009, the five Selmer #607 solo players shared the hot seat at the mythical New Morning venue, packed for the occasion!

SPECIAL THANKS FOR TELE-CAT

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Selmer #607 -Live at Samois (2008)

Label Indie
Genre Gypsy Swing Jazz Manouche
Years 2008
Format Mp3 128 Kbps
Size 36 MB

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